To paint


Claudia Fenili



Talking about painting ...



Painting is one of the most ancient and widespread arts, maybe for the immediateness and spontaneity of its tools, maybe for its ability to absorb and generate emotions, like being a huge magic container for the feelings and secrets of the human heart.

In our society, so careful to image, we know and judge the world especially through our eyes. The pictorial means becomes then a privileged channel to create a chink between the world of appearance and the essential being of the things, to dispel Maya's veil impeding us to see and understand what it is, or only to open a small hole close straight afterward, through which, for only a moment, whose watching glimpse something, "as an eye that wide, amazed,/ open and close, in the dark night" (G. Pascoli, 1894 “Myricae”, The lightning).

The essence of art is just this: dig in the mistery of things using emotions and logic intuition.
The language is the one of colours, abstract shapes and of objects than can be portrayed, that in the human mind they become full of symbolic value.
The painter during the creative act weaves his painting of meanings, often unconscious, and gets excited in front of the fruit of his hands and soul. In his heart, he hopes that also others see what he sees: his message, himself.

I now leave to others the task of separating the fruit-bearing plant from the weed, to tell the difference between a work of art and a scribble, to evaluate also my "attempts" and to count them among what art is not.


10/06/2003Claudia Fenili